Sale! Yamaha MGP24X 24-Channel Analog Mixing Console with DSP Effects
Key Features16 D-Pre Mic Preamps with Phantom Power24 Line Inputs, 6 AUX, & 2 FX SendsiPhone/iPod Control & ConnectivityRecord to USB Storage as WAV or MP3X-pressive 3-Band EQ Per Channel1-Knob CompressionAuto-Ducker, Auto-Leveler3 Types of Reverb, 16 Digi
$1,700.99
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$150.00
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Key Features
- 16 D-Pre Mic Preamps with Phantom Power
- 24 Line Inputs, 6 AUX, & 2 FX Sends
- iPhone/iPod Control & Connectivity
- Record to USB Storage as WAV or MP3
- X-pressive 3-Band EQ Per Channel
- 1-Knob Compression
- Auto-Ducker, Auto-Leveler
- 3 Types of Reverb, 16 Digital Effects
Overview
TheMGP24X 24-Channel Analog Mixing Console with DSP EffectsfromYamahais a 24-track analog mixer with digital control and features 16 D-Pre microphone preamps, 24 line inputs, 6 auxiliary inputs, and 2 effects sends. It is designed for use in live sound environments, including clubs and houses of worship.
Each channel has Yamaha’s X-pressive 3-band equalizer and 1-Knob compressor, allowing channel-independent frequency and dynamic control. The MGP24X has an integrated DSP Hybrid Channel section that includes 3 types of reverb and 16 effects, as well as auto-ducker and auto-leveler functions that allow for hands-off monitoring of sources. The digital portion of the MGP24X also allows for iPhone and iPod touch control of a variety of parameters via the free MGP Editor app. You can also playback music from your iTunes catalog via the iOS input USB port, freeing up an analog input on the console. A second USB port allows you to record your live performance directly to external USB media, as either a stereo WAV or MP3 file.
Key Specs
Input / Output
| Inputs | 16x Mic level XLRs 16x Line level 1/4″ (6.35 mm) TRS 4x Stereo line level 1/4″ (6.35 mm) TRS 16x 1/4″ (6.35 mm) TRS Inserts 1x 1/4″ (6.35 mm) stereo Return |
| Input Sensitivity | For Mono Inputs, Actual Source Impedance 3 k: Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Mics Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Mics Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Lines Line Level @ 10 dB: -10 dBu (245 mV), for 600 Lines Stereo Channel Input, Actual Source Impedance 10 k: Mono Channel Inserts, Actual Source Impedance 10 k: -20 dBu (77.5 mV), for 600 Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 k: -20 dBu (77.5 mV) Talkback Input, Actual Source Impedance 10 k: -66 dBu (0.389 mV), for 50-600 Mics |
| Nominal Input Level | For Mono Inputs, Actual Source Impedance 3 k: Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Mics Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Mics Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Lines Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Lines Stereo Channel Input, Actual Source Impedance 10 k: Mono Channel Inserts, Actual Source Impedance 10 k: 0 dBu (0.775 V), for 600 Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 k: 0 dBu (0.775 V), for 600 Lines Talkback Input, Actual Source Impedance 10 k: -50 dBu (2.45 mV), for 50-600 Mics |
| Maximum Input Level | For Mono Inputs, Actual Source Impedance 3 k: Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Mics Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Mics Line Level @ -34 dB: -14 dBu (155 mV), for 600 Lines Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Lines Stereo Channel Input, Actual Source Impedance 10 k: Mono Channel Inserts, Actual Source Impedance 10 k: 20 dBu (7.75 V), for 600 Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 k: 20 dBu (7.75 V), for 600 Lines Talkback Input, Actual Source Impedance 10 k: -30 dBu (24.5 mV), for 50-600 Mics |
| Outputs | 1x XLR Stereo out (L,R) 6x XLR auxiliary sends 16x 1/4″ (6.35 mm) Channel insert outputs 1x 1/4″ (6.35 mm) Monitor out (L,R) 4x 1/4″ (6.35 mm) Group out 1x 1/8″ (3.5 mm) headphones out 1x 1/4″ (6.35 mm) Stereo insert (L,R) 2x 1/4″ (6.35 mm) Matrix outs 1x XLR Mono out |
| Nominal Output Level | Stereo Out (L,R): 4 dBu (1.23 V) @ 75 (for use with nominal 600 lines) Mono Out: 4 dBu (1.23 V) @ 75 (for use with nominal 600 lines) Group Out (1 to 4): 4 dBu (1.23 V) @ 150 (for use with nominal 10 k lines) Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 (for use with nominal 600 lines) Matrix Out (1,2): 4 dBu (1.23 V) @ 150 (for use with nominal 10 k lines) Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 (for use with nominal 10 k lines) Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 (for use with nominal 10 k lines) Monitor Out (L,R): 4 dBu (1.23 V) @ 150 (for use with nominal 10 k lines) Phones Out: 3mW @ 150 (for use with nominal 40 phones) |
| Maximum Output Level | Stereo Out (L,R): 24 dBu (12.3 V) @ 75 (for use with nominal 600 lines) Mono Out: 24 dBu (12.3 V) @ 75 (for use with nominal 600 lines) Group Out (1 to 4): 20 dBu (7.75 V) @ 150 (for use with nominal 10 k lines) Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 (for use with nominal 600 lines) Matrix Out (1,2): 20 dBu (7.75 V) @ 150 (for use with nominal 10 k lines) Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 (for use with nominal 10 k lines) Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 (for use with nominal 10 k lines) Monitor Out (L,R): 20 dBu (7.75 V) @ 150 (for use with nominal 10 k lines) Phones Out: 75 mW @ 150 (for use with nominal 40 phones) |
General
| Total Harmonic Distortion | 0.02% (20 Hz to 20 kHz, 14 dBu) |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz |
| Crosstalk | -74 dB @ 1 kHz |
| Power Supply | 100 to 240 V, 50/60 Hz |
| Power Consumption | 76 W, maximum |
| Dimensions | 32.2 x 6.7 x 22.2″ (819 x 169 x 565 mm) |
| Weight | 34.2 lb (15.5 kg) |
Packaging Info
| Package Weight | 49.4 lb |
| Box Dimensions (LxWxH) | 37 x 27.5 x 10″ |
What’s in the Box:
- Yamaha MGP24X 24-Channel Analog Mixing Console with DSP Effects
- Limited 1-Year Manufacturer Warranty
Shipping Info
- Cost: $25
- Free Shipping
- We offer free shipping on orders over $30. Please check the free - shipping eligibility at checkout.
- Delivery Time:
- It usually takes [3-5] business days for standard shipping. Please note that this is an estimated time frame and may be affected by local holidays, and unforeseen circumstances.
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