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Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4-7.1 IS STM Sale!

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4-7.1 IS STM

Review

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4-7.1 IS STMCanon SKU: 5666C018 | Helix SKU: CA5666C018OverviewEOS R6 Mark II Full-Frame Mirrorless CameraIntroducing a standard full-frame camera evolved with hybrid features for still and movie shoot

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Details

Canon EOS R6 Mark II Mirrorless Camera with 24-105mm f/4-7.1 IS STM

Canon SKU: 5666C018 | Helix SKU: CA5666C018

Overview

EOS R6 Mark II Full-Frame Mirrorless Camera

Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.

High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor

The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions whether day or night, indoor or outdoor dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.

DIGIC X Image Processor

A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.

High-Speed Continuous Shooting

For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode1at up to 30 fps. By turning on RAW Burst Modes pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subjects movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.

Blazing Fast Autofocus

The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.

Highly Accurate Subject Detection

Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles cars and motorcycles especially in a motorsports environment.2,3For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.

Head, Face, and Eye Detection

Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a persons head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subjects left or right eye which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.

Animal Detection

The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision regardless of the animals size, posture, or orientation of the face.2

Optimized for Video

With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike.

Continuous Movie Recording That Exceeds 30 Minutes

The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.5Youll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K 59.94p up to 50 minutes or more.

Features for Advanced Creators

Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device6provides the image quality to support various production purposes.

Focus breathing correction (with compatible Canon RF lenses)7automatically compensates for changes in the angle of view caused by focus operations during movie recording.

Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence.

In-body Image Stabilizer

Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.8To counter large, low-frequency camera movements, such as recording while walking, theres also electronic Movie Digital IS, which can be independently activated.

Vari-Angle Touchscreen LCD

Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle.

0.5-inch OLED EVF with Approx. 3.69 Million Dots

A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark IIs EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. Theres also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations.

Wired and Wireless Communications

The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9port, built-in Wi-Fi, and Bluetooth technology, making it easy to upload and share movies and photos to your favorite social networks.

Built-in Bluetooth Capability

Bluetooth pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you’ve captured so you know precisely where you captured the photo.

Built-in Wi-Fi Capability

Enable wireless functions, such as file viewing and transfer, by connecting to Wi-Fi quickly and seamlessly, and exchange data with other Wi-Fi compatible Canon cameras. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.

USB-C Connection

New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.9All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.

UVC Livestreaming

UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom, Microsoft Teams, Skype, and similar on-line meeting software.9Thanks to the full-frame CMOS sensor, youll be able to distribute clear live video images with low noise during remote conferences or livestreaming content.

Specifications

Specifications

Type

Type Digital interchangeable lens, mirrorless camera
Image Processor DIGIC X
Recording Media (Two) SD card slots

  • Compatible with UHS-II
  • Eye-Fi cards and Multimedia cards (MMC) are not supported.
Compatible Lenses Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens Mount Canon RF Mount



Image Sensor

Type Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective Pixels Approx. 24.2 megapixels
Screen Size Approx. 36.0 x 24.0 mm
Pixel Unit Approx. 6.00 m square
Total Pixels Approx. 25.6 megapixels
Aspect Ratio 3:2 (Horizontal:Vertical)
Color Filter System RGB primary color filters
Low Pass Filter Installed in front of the image sensor, non-detachable
Dust Deletion Feature
  1. Self Cleaning Sensor Unit
    • Removes dust adhering to the low-pass filter.
    • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen).
    • After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
    • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
  2. Dust Delete Data acquisition and appending
    • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
    • The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
    • Not available with RF-S/EF-S lenses, in cropped shooting, during focus bracket shooting, in FAW burst mode, or multiple-exposure shooting.
  3. Manual cleaning (by hand)

Recording System

Recording Format Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31.
Image Format JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4)
File Size * At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter.
*1: Number of shots using a 32 GB card that conforms to Canon testing standards.
*2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards.
*3: When set to [HDR shooting (HDR PQ): Disable].
*4: When set to [HDR shooting (HDR PQ): Enable].
File Numbering The following file numbers can be set:

  1. File numbering methods
    • Continuous numbering
      • The numbering of captured images continues even after you replace the card.
    • Auto reset
      • When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
  2. Manual reset
    • Resets the file number to 0001, and creates a new folder automatically.
RAW + JPEG / HEIF Simultaneous Recording Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
Color Space Selectable between sRGB and Adobe RGB
Picture Style
  1. Auto
  2. Standard
  3. Portrait
  4. Landscape
  5. Fine Detail
  6. Neutral
  7. Faithful
  8. Monochrome
  9. User Defined 1-3
    • In Scene Intelligent Auto, [Auto] will be set automatically.
    • [Standard] is the default setting for [User Def. 1-3].

White Balance

Settings
  1. Auto (Ambience priority/White priority)
  2. Day Light
  3. Shade
  4. Cloudy*1
  5. Tungsten light
  6. White fluorescent light
  7. Flash
  8. Custom (Custom WB)
  9. Color temperature*2

*1: Effective also in twilight and sunset.
*2: White balance can be adjusted during movie recording.

Auto White Balance Option between ambience priority and white priority settings, using SET button
White Balance Shift Blue/amber bias: 9 levelsMagenta/green bias: 9 levelsCorrected in reference to the current WB modes color temperature.


Viewfinder

Type OLED color electronic viewfinder; 0.5-inch, approx. 3.69 million dots
Coverage Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint).
Magnification / Angle of View Approx. 0.76x / Approx. 35.2 degrees (with 50mm lens at infinity, -1 m-1)
Eye Point Approx. 23mm (at -1 m-1from the eyepiece lens end)
Dioptric Adjustment Range Approx. -4.0 to + 2.0 m-1(dpt)
Viewfinder Information
  1. Maximum burst
  2. Possible shots/Sec. until self-timer shoots
  3. Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer
  4. Shooting mode
  5. AF method
  6. AF operation
  7. Image quality
  8. Card
  9. Drive mode
  10. Metering mode
  11. No. of remaining shots for focus braketing, multiple exposures, or interval timer
  12. Electronic level
  13. Movie recording time available
  14. Battery level
  15. Image Stabilizer (IS mode)
  16. Histogram (Brightness/RGB)
  17. Quick Control button
  18. Anti-flicker shooting
  19. White balance/White balance correction
  20. Picture style
  21. Auto Lighting Optimizer
  22. Still photo cropping / Aspect ratio
  23. AF point (1-point AF)
  24. AEB/FEB
  25. View Assist
  26. HDR PQ
  27. Flash ready / FE lock / High-speed sync
  28. Electronic shutter
  29. Touch shutter / Create folder
  30. AE lock
  31. Shutter speed / Multi-function lock warning
  32. Aperture value
  33. Wi-Fi function
  34. Wi-Fi signal strength
  35. Bluetooth function
  36. Exposure simulation
  37. Magnify button
  38. ISO speed
  39. Highlight tone priority
  40. Exposure compensation
  41. Exposure level indicator

Autofocus

Focus Method Dual Pixel CMOS AF
Number of AF zones available for Automatic Selection AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 1053 zones (39 x27)
Selectable Positions for AF Point AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4897 positions (83 x 59) Movies: Max 4067 positions (83 x 49)
AF Working Range EV -6.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73F/23C, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating.
Focusing brightness range (still photo shooting) EV 6.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating.
Focusing brightness range (in movie recording) 4K: EV 4.0 to 21 Full HD: EV 4.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating.
Available AF Areas
  • Spot AF
  • 1-point AF
  • Expand AF area: Above/below/left/right
  • Expand AF area: Around
  • Flexible Zone AF 1
  • Flexible Zone AF 2
  • Flexible Zone AF 3
  • Whole area AF
Available Subject Detection
  • Auto
  • People
  • Animals (dogs / cats / birds / horses)
  • Vehicles (motorsports cars or motorcycles / aircraft / trains)
    * Certain types of animals or vehicles may not be detected, depending on shape and appearance
Eye Detection Auto:

  1. Selects the eye closer to the camera (as detected from the angle of the face).
  2. At the same distance from the camera, selects the eye closer to the center of the image.

Manual:

  1. Can be selected by touch.
  2. Can be selected with the Multi-controller.

Exposure Control

Metering Modes Real-time metering from CMOS image sensor (384 [24×16] metering zones)

  1. Evaluative metering (AF point-linked)
  2. Partial metering (approx. 5.9% of the area at the center of the screen)
  3. Spot metering (approx. 3.0% of the area at the center of the screen)
  4. Center-weighted average metering
Metering Range EV -3 – 20 (at 73F/23C, ISO 100)(Still Photo Shooting)
Exposure Modes
  1. Scene Intelligent Auto
  2. Hybrid Auto
  3. Special Scenes
  4. Creative Filters
  5. Flexible-priority AE
  6. Program AE
  7. Shutter-priority AE
  8. Aperture-priority AE
  9. Manual Exposure
  10. Bulb Exposure
  11. Custom Shooting Modes C1, C2, C3
ISO Speed Range Manually Set

  • For [Highlight tone priority], the settable ISO speed range will be ISO 200 to 102400.
  • Expanded ISO cannot be set for HDR mode or during HDR PQ shooting.

ISO Auto range settings in still photo shooting

*1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced].
*2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range].
*3: If outside the setting range, changed to the value closest to ISO 400.

Exposure Compensation Click here to view the full specifications PDF.
AE Lock
  1. Auto AE lock
  • AE is locked as soon as subjects are in focus using One-Shot AF when set to selected metering mode in [C.Fn2: AE lock meter. mode after focus].
  • User-set AE lock.
    • Use the AE lock button (update by pressing the button again) in Fv, P, Tv, Av, and M mode.
    • Enabled in all metering modes.9

Shutter

Type Electronically controlled focal-plane shutter

  1. Electronic first curtain
  2. Mechanical shutter
  3. Electronic shutter*

* Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High]. * A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image.

Shutter Speeds Mechanical / 1st-curtain Electronic shutter: 1/8000th sec 30 seconds, in 1/3 or 12-step increments
Electronic shutter: 1/8000th sec 30 seconds, in 1/3 or 12-step increments (1/16,000th possible, if user-set in Tv or M shooting modes)
X-sync Speed Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec.
Shutter Release Soft-touch electromagnetic release
Self Timer 10-sec. delay, 2-sec. delay

Image Stabilization

Still Photo IS In-body IS operation can be selected when using a non-IS lens.

  • Always on
  • Only for shot (no stabilization in viewfinder/LCD screen between shots) Coordinated IS when used with Canon RF or RF-S lenses having optical Image Stabilization

External Speedlite

Accessory Shoe Canon Multi-function accessory shoe Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories
E-TTL Balance Ambience priority, standard, flash priority
Flash Exposure Compensation 3 stops in 1/3- or 1/2-stop increments
Continuous flash control E-TTL each shot / E-TTL 1st shot

Drive System

Drive Modes and Continuous Shooting Speed Click here to view the full specifications PDF.

HDR Shooting

HDR Shooting (HDR PQ) Disable / Enable
Still Photo HDR PQ Click here to view the full specifications PDF.
Movie HDR PQ Click here to view the full specifications PDF.
Continuous HDR Shooting (still images) 1 shot only / Every shot

Video Shooting

Shooting Times Click here to view the full specifications PDF.*1Time available for continuous shooting in 23C / 73F environment, from a cold start. If the camera is in LV mode standby before shooting or the ambient temperature is high, the shooting time may be shorter.*2According to Canon measurement conditions when using UHS-II cards conforming to Canon testing standards.*3The maximum duration of shooting may be shorter under some circumstances even if recording begins from “cold start,” due to a rise in temperature inside the camera caused by pre-shooting camera setting operations or by prolonged use of the Live View mode. When the card is full, movie recording stops automatically. In this case, duration time when you erase the data and restart shooting.
File Format Normal MoviesClick here to view the full specifications PDF.
* Recording in AAC when [Audio compression] (C.Fn4) is set to [Enable] or Linear PCM when set to [Disable].
Estimated Recording time, Movie Bit Rate and File Size H.264/AVC (Canon Log: Off, HDR PQ: Off)
Click here to view the full specifications PDF.
* Bit rate only applies to video output, not audio or metadata.
* Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set.
* Movie recording stops when the maximum recording time per movie is reached.
* No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows.
* Mbps megabits per second (8 megabits = 1 megabyte)

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